Refined Belgian Living by Melanie Klusmeier | 7th March, 2015 | Prime Properties
Hailing from Holland, Marie-Louise van Overdijk is a respected figure in the Belgian port of Antwerp, not least yet not only for her ML Design Gallery at the heart of the city. The atmosphere pervading the space is equally important to the gallery owner as the paintings of the famous artists who queue up to exhibit with her. GG paid a visit to this remarkably cosmopolitan lady at her residence, where the architectural design forms an ideal realm for art to come alive. A talk about abounding female power, professional beginnings in Amsterdam and Paris, and why sensibility can be both a blessing and a curse in life.
Some people collect antiques, others works of art, accessories or fabrics. Marie-Louise van Overdijk collects something of everything. But that is not all – she is also one of the fortunate few to have succeeded in transforming their passion into a profession. “I just love the amalgamation of historic architecture and contemporary art, with a touch of fun added to the mix,” says the illustrious gallery owner. Born in the Netherlands, she has been a reputed figure for many years now in the worlds of high-end fashion, elegant fabrics and accessories, sophisticated interior design, furniture, antiquities, modern and historic art. She regularly attends Europe’s most important conferences dedicated to art and antiquities.
“I love the amalgamation of historic architecture and contemporary art, with a touch of fun added in.” Marie-Louise van Overdijk
The current home for her art also happens to be one of the most impressive residences in the whole of Antwerp. Just some of her favourite artists include Miguel Ybáñez, a great talent in the world of painting from Spain, Sergio Fermariello from Italy, Arty Grimm from the Netherlands and the German artists Jupp Linssen and Manfred Müller. The “Mansion Vanden Bussche”, designed in 1911 by the architect Ernest Pelgrims, ranks amongst the largest and most prestigious townhouses built in the period prior to the First World War. Before the turn of the century, Pelgrims built predominantly in the Flemish Neo-Renaissance and Neo-Classical styles, turning increasing to beaux-arts architecture over time. His prestigious public buildings such as theatres, museums and town halls, as well as stations and schools, were also particularly akin to this distinctive style. Conceived as a grand family home for the wealthy bourgeoisie, the mansion embodies this aesthetic with its exaggerated dimensions and impressively ornate detailing. The natural stone façade with its five round alcoves, quartz corner piers and intricate adornments imbues the property with a gracious elegance. Situated in one of the most desirable districts in the port city of Antwerp, the mansion stands with an almost majestic splendour alongside its well-to-do neighbours. This splendour is precisely what greets guests upon their arrival – helped along by the opulent Neo-Rococo staircase connecting all floors, with intricate wooden embellishments and period wood panelling. The attic level beneath the slate-tiled mansard roof is accessed via a spiral staircase, which enriches the entire space with stylish finesse. An elevator provides a convenient easy-
access alternative. The ground layout with its reception areas, private quarters and utility rooms is typical for such monumental townhouses of the period. Equally fitting as a splendid home or prestigious office, the eight grand main interiors include magnificent ground floor spaces such as the grand hall, dining room, living room and study with an original period marble fireplace. A number of rooms serve individual purposes in the pursuit of hobbies or as storage space. The majority of the space is used by Marie-Louise to showcase sculptures, canvasses, frames and the like. “If you love art, rooms cannot be flexible or large enough.” All wings of the house are conceived in such a way that they can be altered with little effort. The kitchen, for example, could easily be relocated from one room to the next depending on the requirements of the owners. The residence has been
restored and finds itself in impeccable condition. “The views overlooking the garden are a particular joy, both in the summer and in the winter. The grounds form an integral part of the interior – something which is
really quite unusual for city dwellings,” Marie-Louise enthuses.
This dynamic lady, with a passion for life in all its facets, has always lived and worked in historic properties, also renovated and decorated herself – in century-old country houses, a monastery in the centre of Maastricht where she had her business M&L Interiors, Arts and Antiquities, the 18th C‚entury Castle Fonteneau near Brussels, and her current residence of Castle Crabbenburg near the Belgian city of Ghent. “The idea of living in a castle has always held a certain magic for me. It is a way of life, a life’s work and the expression of an ultimate ‘joie de vivre’. I am in absolute awe of architecture that can tell stories. I draw my inspiration from such buildings for my career as a designer and stylist. Bringing different styles together from different centuries and cultures is my calling, in harmony with architecture and contemporary or historic art.” The “Mansion Vanden Bussche” has so many stories to tell. Marie-Louise van Overdijk knows all too well just how valuable such a heritage is. MK
EV Antwerpen-Centrum bvba, Licence partner of Engel & Voelkers Residential GmbH
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